Senora

Scarce is life in her parched breath,
dry in a desert left bare
of her own mother's love.
Clinging to drops of moisture,
until Mother Monsoon brings
tears of summer.
Matriarchy bestows fresh those
living day-to-day, hour-to-hour,
green and bright and anew.
Our lady of resounding diversity,
bosom to burrowed creatures
hibernating in colorful sands.
Sonora, her winds
life-giving,
life-taking,
of beauty and barren scape.
My homeland.
My mother.

Written July 9, 2025, while working the first page of a new sketch notebook.

Awaiting the Majestic

Mortals lined up as time climbs slowly,
reconciling lives past and future,
awaiting the majestic.

Science against the wills of gods
as the Moon traverses its
dangerous route to totality.

Unfettered by the Sun's anger,
Moon hiding its glory, Sun determined
to burn away the dark.

In a moment -- the sacred cycle arrives,
gnawed by squirrel, bitten by bear,
as the Sun clumsily drops its torch.

Flaming arrows attempt to restart its fire,
flung into the darkness of midday,
rekindling the Sun's power o'er Earth.

Our ancestors--they knew this time,
a moment feared, a moment awed,
souls mystified
at the glory of our Milky Way.

*Written immediately before and after the total eclipse as viewed from my home in Southern Indiana, April 8, 2024. (Totality at 1509 hours EST.)

What is a day?

What is a day?
When does tomorrow begin,
     by clock, by hour,
     by sunlight at rise,
     by song of bird,
     or crow of rooster?

And what of storms that cloud the skies,
     does day not come without the sun?

What of a week, a year, a lifetime?
Scant second on earth we spend,
     even for those at one-hundred.

Will the sun set on the day I die?
Will the ocean waves drive the sand,
     a flower grow, a tree rise new,
     or will it end with my reality?

What is a day, 
     but the passing of a life?

The Bench

The bench spoke to me as I passed it by.
I turned, looked on its emptiness
and joined it for a moment.

The air swirled with the sounds of our world,
birds chirping, breeze cool on skin and eyes,
sun warm and inviting.

Myself silent, my world on hold
as I breathed in the great oak's gift
of strength, solitude, and the delicate sigh
of our mother earth.

* Written in the front courtyard at the Robley Rex VA Medical Center on June 28th, 2022, after I'd just left an appointment.

Words With Artists

My long awaited podcast, Words With Artists, just published today with a double launch of artists Judy Quinlin and Rosanne Quatroke! You can even watch the interview with Judy on my YouTube channel @dustylynnbaker

Join me in entertaining the ghosts of our pasts, sipping tea, and sharing words with artists!

A Song Unfurled

Poetry is the song of the spoken word
   gliding gleefully, playfully
      sliding smooth as the devil's tongue.

The true sound is not of a novel told
   in long form, in paragraph,
      broken to imitate a mold.

It speaks, it cries, it screams
   to be read, a melody as
      interpretation unfolds.

The flowery tale it need not contain
   but the rhyme must remain
      if only as a song unfurled.


* My attempt at a quaint and simple ode to John Keats, Ode on a Grecian Urn. A favorite poem of mine since high school. I wrote a paper on it in undergrad and found it again in graduate school. It likes to visit my mind when changes come to my life.

Read it here: Poetry Foundation, Ode on a Grecian Urn by John Keats

Ode To the Beasts of Maxwell Hall

Hearth is the heart, 
     warmth,
     fire,
     raging and tranquil.
Gathering us together,
     we warm ourselves by its flame.

Suckling bosom of knowledge, 
     a hall of words,
     books and catalog cards.
Legal debates pulling reason in opposite directions,
     but never too far from the center
     of cold limestone turned warm
     by wood of surrounding land.

The dragon leads the menagerie,
     two heads with sight of towers
     where grotesques and serpents
     keep watchful eye
     on all who enter.

Serpents taking flight at night,
     playing in darkness
     as they slither from transom to transom,
     never touching the floors of men.

Grotesques howling and flapping their wings
     as though in discussion,
     as though in defense of the shield they bear
     for love of building,
     and craft,
     and university.

Yet the dragon is the seer,
     the knower,
     the one with thought and knowledge
     too powerful to expose.

Does he envy the others’ views of the hills?
Or does he find solace in hearing the whispers,
     the secrets, 
     the plans of women who now grace
     his throne with beauty?

Art now conquers the cold limestone,
     while humanities compete with the science of masons.
But with transcendent words
     our beloved beast changes, 
     studies,
     creates.

Words devoured by the dragon, 
     it feeds on new dreams,
     new hearts, 
     new love for its majestic survival.

As I leave this place, 
     these grounds,
     this building.
I whisper to the protectors
     my gratitude,
     my respect.

I tell them of my jealous heart
     that cannot grasp the treasures
     only they consume.
 

11 September: A remembrance poem

I wrote this poem on the anniversary of 9/11 while working our local farmers market. A time to reflect the attacks that day, and a time to think about my fellow brothers & sisters in military service who lost their lives over the last twenty years while serving on foreign land.


11 September

twenty years have come and passed,
     fades of existence,
     ghosts reminisced.
souls lost and never forgotten
     as our hearts and minds
     break with the wind.

twenty years of conflict ended
     with lines of flags
     and tombstones
     and medals.
more of our finest killed in war
     than on that day, 

thousands on our soil,
thousands on theirs.

that day,
     those hours,
     three fields,
     death and destruction.
charred planes,
     fallen buildings,
     only memories to be found
     in the dust of the attack.

as family,
     we mourn.

as a nation,
     we mourn.

as human,
      we cry.

Indiana University Exhibit

The opening date is set! The exhibit will be at the Gayle Karch Cook Center for Public Arts and Humanities, Indiana University, Bloomington, Maxwell Hall, beginning September 22nd, and will feature a variety of artists and media formats. 

I'll be exhibiting one of my historical fiction poems written at Beck's Grist Mill, an Indiana landmark in Washington County, and listed on the National Register of Historic Places. Some of my photography will also be displayed.

More info as it arrives, but add this stop to your calendar! The exhibit will only run for one month!